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MONOPOLY
ACT I
SCENE I
(The lobby of shower room in a luxurious country club, very well-lit with chandeliers and halogens, massive sofas in the center with towels on both sides and two people sitting on either side of the sofa, seemingly distraught. A younger girl, Willie is seen standing at one of the two entrances to the room.)
MARLA
She's gone to take a shower, when she is back you will have to be the one to break the news to her. I'm already the bad cop, it's time you take up the tough parts of parenting.
DANIEL
I don't want to do that to her, it's going to break her, I'm still trying to speak to the manager and see if there is any way we could defer the payment a little.
MARLA
Dan, I know this is not what we planned for her but keeping her in an environment where she feels less than, will do more bad than good. I believe in her enough to know that she will be able to understand if we explain the situation to her.

Breakdown and Shotlists

3
Scenes
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7
Characters
8
Locations
15
Props
2
Vehicles
11
Shot Suggestions
SC. 1INTDAY3.5 pgs ▾
INT. COUNTRY CLUB SHOWER ROOM LOBBY - DAY
Willie's parents Marla and Daniel discuss their financial difficulties and inability to afford the country club membership while Willie overhears.
SC. 2INTDAY4.0 pgs ▾
INT. PENTHOUSE DRAWING ROOM - DAY
Sara plays piano while her mother Beth criticizes her attitude. Her father Daniel arrives with bad financial news.
SC. 3INTDAY4.5 pgs ▾
INT. SCHOOL CLASSROOM - DAY
In a middle school classroom, Sara breaks Willie's colored pencils as a test to show Willie how she stands up for herself at school.
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Willie3, 1
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BASIC INFORMATION
Description
Female, 14, Caucasian with sharp features. Willie is a supporting character appearing briefly in the scene.
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Marla1
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Daniel1, 2
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Sara3, 1, 2
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Beth2
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Other Students3
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Country Club Shower Room Lobby1
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Penthouse Drawing Room2
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Staircase2
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School Classroom3
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Penthouse Staircase
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McDonald's
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Pier
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Colored Pencils3
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Pencil Pouch3
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Lunchbox3
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Multiple Cars (mentioned)2
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Chandeliers1
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Halogen Lights1
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Piano2
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● 1 selected↘ Production Canvas
SCENEWillie's parents discuss their finances...
CHARACTERWillie's mother, dealing with family financial...
LOCATIONLuxurious lobby with chandeliers, halogens...
PROPCountry club towels placed on sofas...
COSTUMEUpscale casual clothing appropriate...
EQUIPMENTLuxurious lighting fixtures...

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I · Pre-productionBreakdown and Shotlists

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Voices FADE IN: BLACK. Murmurs, like a crowd of voices behind a wall. Faint voices slowly growing. CUT TO: INT. INSIDE A TAXI - NIGHT A little leather case rattling by. It’s moving a little bit. Clearly the sounds are coming from this case. The taxi stops. A hand picks it up and exits the vehicle. The taxi pulls out. TITLE CARD: VOICES CUT TO: INT. A RESTAURANT - NIGHT MICHAEL, 20s, sharp features, is writing something furiously on the table, waiting for COLLIN, forties, ice cold demeanor. COLLIN pauses gracefully over MICHAEL’s shoulder to read what he’s writing. He is unimpressed. So he knocks the water glass over the paper as he strides to sit down. MICHAEL is taken aback, but doesn’t make a fuss. COLLIN Well then? MICHAEL Good news? Bad news? COLLIN 104 linked nodes Cinema Camera Packa… EQUIPMENT Shot 1: Dialogue Shot · Sc. 4 Shot 1:… Shot Vo… 100% SmartType Scenes 9 items All PDF Add SCENES 9 VOICES SCENE 1 INT DAY 0.4pgs In Review INT. INSIDE A TAXI - DAY A leather case rattles in a taxi at dawn; a passenger grabs it and exits. A title card reads “VOICES.” LOCATIONS1 SETS1 PROPS2 VEHICLES1 Shot list flows Flow 71GB3 shots 1 2 3 Flow DK791 shots 1 SCENE 2 INT NIGHT 1.2pgs In Review INT. A RESTAURANT - NIGHT Michael, a young writer, waits for Collin — his cold representative. Collin spills water on his work, then offers a deal with a leather case. CAST3 LOCATIONS1 SETS1 SHOT Shot 2: OTS Add to AI Draft Details Links History SHOT INFORMATION Action Collin pauses behind Michael, reads; unimpressed silence. Description OTS: Collin reads over Michael; his shadow swallows the page. Shot TypeOTS Shot SizeMedium Duration6s Shot Number2 Flow NameFlow 71GB CAMERA SETTINGS Camera AngleOver-shoulder Camera HeightEye Camera MovementMinimal drift
Shot List VOICES · Scenes 1–2 · 7 shots SHOTS 7 1.1 WIDE Taxi interior — establishing 0:32 A-cam · 24mm 1.2 MEDIUM Passenger, the leather case 0:28 A-cam · 35mm 1.3 CU Hands on the case 0:18 B-cam · 50mm 2.1 WIDE Restaurant — Michael waits 0:40 A-cam · 24mm 2.2 OTS Collin over Michael’s shoulder 0:06 A-cam · 50mm 2.3 INSERT Water floods the writing 0:04 A-cam · 60mm 2.4 CU Michael, unmoved 0:22 A-cam · 40mm 7 shots
SHOT Shot 3: Insert Add to AI Draft Details Links History SHOT INFORMATION Action Collin knocks glass; water floods Michael’s writing in on… Description Insert: water spills, ink blooms; authorship literally washed out. Shot Type Insert Shot Size Close-up Duration 4s Shot Number 3 Flow Name Flow 71GB CAMERA SETTINGS Camera Angle Top-down Camera Height Overhead Camera Movement Locked-off Movement Speed None Movement Direction None CAMERA EQUIPMENT Camera Type Cinema Camera Package (A-cam) Lens Type Macro/Prime Focal Length 60mm Aperture T4.0 TECHNICAL SETTINGS Frame Rate 24fps Shutter Angle 180 ISO 1000 White Balance 3200K COMPOSITION Composition Paper fills frame; water line cuts through text; gla… Focus Ink and water spread Depth of Field Deep LIGHTING Lighting Setup Hard tungsten edge to make water glint; cyan s… Lighting Mood Bright, Dark, Dramatic, Soft… VISUAL ELEMENTS Location Location name… Characters Character names (comma-separated)… Props Prop names (comma-separated)… Equipment Equipment names (comma-separated)… LINKED Add SCENE2 Sc. 2: INT. A RESTAURANT OPTIONS
Characters 3 items PDF Add Scene presence · 3 across 12 scenes MichaelCollinMan 9/127/121/12 Show all 3 CHARACTERS 3 CHARACTER Lead Confirmed Michael Mid-20s writer hustling “FREE STORIES” — the protagonist whose creative voice is being courted and commodified. SCENES 8 PROPS 2 CHARACTER Supporting In Review Collin Cold, calculating man in his 40s who offers Michael a publishing deal tied to a sinister “authorization” over his voice. SCENES 7
Props 6 items PDF Add Scene presence · 6 across 12 scenes Vintage RevolverLeather BriefcaseGold Pocket WatchWhiskey Bottle 4/123/122/125/12 Show all 6 PROPS 6 PROP Confirmed Vintage Revolver Nickel-plated .38 snub-nose with worn walnut grips — hero prop for the interrogation scene. SCENES 4 CHARACTERS 1 PROP In Review Leather Briefcase Tan leather case with brass latches, holds the MacGuffin — appears in the handoff and the chase. SCENES 3
Locations 7 items PDF Add Scene presence · 7 across 12 scenes Washington Square Park A Restaurant New York Public Library A Café 6/123/124/122/12 Show all 7 LOCATIONS 7 LOCATION Exterior Confirmed WASHINGTON SQUARE PARK EXT, day — park by the fountain where Michael sets up a foldable table/trunk and offers “FREE STORIES.” SCENES 3 PROPS 2 LOCATION Interior In Review A RESTAURANT INT, night — restaurant table meeting between Michael and Collin with waiter service and the contract reveal. SCENES 2 8 locations 3 confirmed
Scene 14 — Standoff Night · 2 candidate locations Locations Props Cast PDF Add LOCATION OPTIONS 2 Compare & pick one OPTION A Interior Selected Downtown Warehouse Cavernous industrial space with steel beams and loading docks — the current pick for the third-act standoff. Selected as location $4,200 / day OPTION B Exterior Alternative Rooftop Bar Open-air rooftop with the skyline behind — ideal for the neon night look, but weather- and permit-dependent. Choose this option $3,100 / day COMPARISON Warehouse Rooftop Permit / day$4,200$3,100 Truck parking40 baysStreet only Power3-phase on-siteGenerator req. Ceiling clearance38 ftOpen air 2 location options 1 selected
Projects 41 T test Executive Producer 30%Production Scripting Project Context FILM Dashboard TrackerBETA DevelopBETA My WorkBETA STORY Scripts Breakdown Scenes Locations7 Sets7 Characters5 Equipment44 Props25 Vehicles1 Costumes3 $176.48 AI Models VS Vanshika Sharma
Scenes
II · Production

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Director's CutSynced
agni-directors-cut-v4
Director's Cut
agni-directors-cut-v4
Synced
24
Commits
187
Synced Assets
3
Total Edits
Edit History
Tighten pacing in Act II
Aryan · 2h ago · 3 scenes affected
e4f2a1c
Add establishing shots from AI Daily
Sara · yesterday · 5 scenes affected
b7d0c33
Sync footage from set · Day 3
Bill · 2d ago · 12 scenes affected
91f4e28

Edit History
Rough
3 commits
Director's Cut
7 commits
COMMITS on Rough
Tighten pacing in Act II
Aryan [AD1] · 2 hours ago · 3 scenes affected
Add establishing shots
Sara [ED2] · Yesterday · 5 scenes affected
Initial assembly
Aryan [AD1] · 3 days ago · 12 scenes affected

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